Nearly 30 years into her reign as the greatest gay icon, Madonna is back in a big way with her new film, W.E., and her first studio album in four years, reminding us why so many adore her.
The temptation to apply layers of meaning to the story Madonna tells in her new film, the cryptically titled W.E., is irresistible.
The pop superstar’s second feature film as a director, W.E. is a tale of two women, two cultures, and two eras. Wallis Simpson was a real-life American socialite of the 1930s who was vilified for falling in love with England’s King Edward VIII; he abdicated the throne to marry the divorcée. Madonna’s movie attempts to reclaim Wallis’s image by turning a polarizing woman often perceived as a villain into a sympathetic figure.
And then there’s Wally Winthrop, the other woman — this one fictional — in New York City in the late 1990s, at a time when Simpson’s jewels and other possessions were being auctioned off for charity. Trapped in an abusive marriage that appeared to be fairy-tale perfect, Wally obsesses over Wallis, her bygone namesake, and turns to her for support.
Complete article at Advocate : http://bit.ly/z39BVP